Glengarry Glen Ross (1992): In this film, based on David Mamet's play, the characters engage in fast-paced, heated dialogues filled with polysyndeton.I want to see her." The repetition of "I want to" underscores Gatsby's intense desire to be reunited with his lost love. For example, he says, "I want to see her. Scott Fitzgerald's classic novel, the character Jay Gatsby (Leonardo DiCaprio) frequently uses polysyndeton to express his passionate yearning for Daisy Buchanan. The Great Gatsby (2013): In Baz Luhrmann's adaptation of F.I'm tryin' real hard to be the shepherd," where the repetition of "I'm tryin'" adds emphasis to his struggle with morality. In the film, characters engage in lengthy and seemingly endless conversations, often punctuated by repeated conjunctions. Pulp Fiction (1994): Quentin Tarantino is known for his unique storytelling style, and this movie is a prime example of his use of polysyndeton.So let's take a peek at some examples to sort it out. It's one of those things that you know when you know. There are lots of examples across film and TV, but they're subtle. It can create a sense of anticipation as characters struggle with conflicting emotions or decisions. Building Tension: The repetitive use of conjunctions can build tension and suspense in a scene.By repeating conjunctions, filmmakers can emphasize the importance of certain concepts or motifs. Highlighting Repetition: Polysyndeton is an effective way to draw attention to recurring themes or ideas in a film.This rhythmic quality can make the dialogue more engaging and memorable. Creating Rhythm: Filmmakers can use polysyndeton to establish a specific rhythm in dialogue or narration.When characters express their feelings with a string of conjunctions, it can evoke a sense of urgency, passion, or desperation, allowing the audience to connect more deeply with their emotions. Emphasizing Emotion: Polysyndeton can be used to amplify the emotional intensity of a scene.So, how are filmmakers actually using this technique? Well, I think most of it happens in dialogue, and maybe in screenwriting within scene description. If anything, Iida’s promise to embrace market diversity should encourage you to really examine yourself and the types of projects you’d like to choose with your next digital camera investment. But if you’re shooting run-and-gun and need to know you can get your shots in focus and quick, you may find that a full frame camera isn’t always your best option. If you’re looking for more cinematic footage and shallower depths of fields, that’s one thing. Instead of looking at camera options based on the latest technology, it encourages us to look for what camera is right for us and our needs. Whether they mean to or not, Fujifilm’s strong stance supporting their camera offerings, and not following the latest market trends, is a really good sign for consumers and filmmakers. We’re happy to stay with two completely independent systems.” In other words, if everyone’s making the same camera, no one wins. Iida would go on to say that, if Fujifilm did enter the full frame market, that their systems “would just start cannibalizing each other. We don’t see any point in Fujifilm entering that market, particularly since we have good APS-C and medium format systems.” Because we don’t have that legacy – luckily or unluckily. Toshihisa Iida, in an interview with DPReview, has promised that Fujifilm will “never go full frame”. The company has also enjoyed success with their medium format mirrorless cameras like their GFX 50S and GFX 50R. The APS-C format camera is getting great reviews despite it not being a highly coveted “full frame” camera. Issues like camera size, depth of field needs and processing power can be seen as objective elements, not in terms of correct or wrong.įujifilm has initially turned some heads with its new X-T3. In the video above by Tom Ryan, it’s almost comically pointed out that by the same standards that many full frame fans prefer full over cropped sensors like the micro 4/3rds, you could also make the argument that it’s what makes the different sensors unique. However, while most brands seem to be pushing to catch up with full frame offerings of their own, one manufacturer is making a bold step to set itself apart - and to help provide us videographers and filmmakers with a truly rich and diverse market.īefore we get to Fujifilm and their latest promise against making full frame cameras, let’s look at the state of the industry. Now new challengers like the Nikon Z7 ( which you can check out reviews of here ) and the Canon EOS R are entering the fray. Cameras like the Canon 5D and Sony A7s have built legacies on their full frame capabilities. When looking at a crowded digital camera market, “ full frame ” is definitely a buzzword floating around in the camera-buying ether.
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